MOTU UltraLite-mk3 Hybrid Betriebsanweisung PDF herunterladen (Seite 9)

CHAPTER

About the UltraLite-mk3 Hybrid

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

The UltraLite-mk3 Rear Panel. . . . . . . . . . . . . . . . . . . . . . . . 10

The UltraLite-mk3 Front Panel . . . . . . . . . . . . . . . . . . . . . . . 11

16-bit and 24-bit recording . . . . . . . . . . . . . . . . . . . . . . . . . . 12

CueMix FX 32-bit ﬂoating point mixing and effects. . 12

AudioDesk. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Digital Performer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Other Host Audio Software . . . . . . . . . . . . . . . . . . . . . . . . . . 13

OVERVIEW

The UltraLite-mk3 is a hybrid FireWire USB2

audio interface for Mac and Windows with on-

board effects and mixing that offers 10 inputs and

14 outputs. Both analog and digital I/O are offered

at sample rates up to 96 kHz, and analog recording

and playback is offered at rates up to 192 kHz. All

inputs and outputs can be accessed simultaneously.

The UltraLite-mk3 is housed in a sturdy, compact

half-rack enclosure that connects directly to a

computer via a standard FireWire or USB cable.

The UltraLite-mk3 offers the following main

features:

■

Universal computer connectivity via FireWire or

high-speed USB2

■

Bus-powered operation (FireWire only)

■

Six 24-bit analog quarter-inch (TRS) inputs

■

Ten 24-bit analog quarter-inch (TRS) outputs

■

Two combo XLR/TRS mic/guitar inputs with

preamps, 48V phantom power, 20 dB pad, and

Precision Digital Trim™ preamp gain adjustment

■

Operation on all analog I/O at standard sample

rates up to 192 kHz

■

Digitally controlled analog trim for all analog

inputs

■

RCA S/PDIF digital I/O at sample rates up to

96 kHz

■

MIDI I/O

■

On-board SMPTE synchronization

■

Headphone jack with volume control

■

Front panel volume control of the Main Outs (or

any programmable combination of outputs)

■

CueMix™ FX no-latency mixing, monitoring,

and effects processing

■

Classic Reverb™ with ﬁve different room types,

three frequency shelves with adjustable crossover

points, shelf ﬁltering and reverb lengths up to 60

seconds.

■

Two forms of compression, including a standard

compressor with conventional threshold/ratio/

attack/release/gain controls and the Leveler™, an

accurate model of the legendary LA-2A optical

compressor, which provides vintage, musical

automatic gain control.

■

7-band parametric EQ modeled after British

analog console EQs, featuring 4 ﬁlter styles (gain/Q

proﬁles) to effectively cover a wide range of audio

material. LP and HP ﬁlters are also supplied with

slopes that range from 6 to 36 dB.

■

Front-panel LCD programming for the mixer

and all other settings

■

Extensive front panel metering and status LEDs

■

Stand-alone operation

■

Mac and Windows drivers for multi-channel

operation and across-the-board compatibility with

any audio software on current Mac and Windows

systems

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