MOTU UltraLite-mk3 Hybrid Betriebsanweisung PDF herunterladen (Seite 10)

ABOUT THE ULTRALITE-MK3 HYBRID

■

CueMix FX cross-platform mixing software with

attractive graphic mixing, graphic editing of

parametric EQ and a convenient tabbed interface

for quick access to all features in one window. Also

provides full-screen real-time FFT display,

spectrogram “waterfall” display, oscilloscope, X-Y

plot and linear or polar phase analysis.

■

AudioDesk™, full-featured audio workstation

software for Mac OS that supports both 16-bit and

24-bit recording

With a variety of I/O formats, mic preamps and

no-latency mixing and processing of live input, the

UltraLite-mk3 is a complete, portable “studio in a

box” when used with a Mac or Windows computer.

THE ULTRALITE-MK3 REAR PANEL

The rear panel has the following connectors:

■

Ten gold-plated, balanced +4dB quarter-inch

(TRS) analog outputs (with 24-bit 192 kHz

converters)

■

Six gold-plated, balanced quarter-inch (TRS)

analog inputs (with 24-bit 192 kHz converters)

■

One combo XLR/TRS mic/instrument input

■ RCA S/PDIF in/out

■ MIDI IN and MIDI OUT jacks

■ One 1394 FireWire A connector

■ One high-speed USB2 connector

■ DC power jack

10 inputs and 14 outputs

All UltraLite-mk3 inputs and outputs can be used

simultaneously, for a total of 10 inputs and 14

outputs when operating at sample rates up to

96 kHz:

All inputs and outputs are discrete and can be

active simultaneously.

The headphone outputs can operate as an

independent output pair, or they can mirror any

other UltraLite-mk3 output pair, such as the main

outs.

Mic/guitar inputs with preamps

The two mic/instrument inputs (front panel and

rear panel) are equipped with preamps and

“combo” XLR/TRS jacks, which accept XLR

microphone inputs or quarter-inch guitar/

instruments inputs. Individual 48 volt phantom

power and a 20 dB pad can be supplied

independently to each mic input. The Precision

Digital Trim™ knobs on the front panel for each

mic/instrument input provide 60 dB of boost for

the XLR mic input and 32 dB of boost for the TRS

instrument input in precise 1 dB increments.

Analog

All six quarter-inch analog inputs are equipped

with 24-bit 192 kHz A/D converters. All eight

analog outputs have 24-bit 192 kHz D/A

converters. All audio is carried to the computer in a

24-bit data stream.

Connection Input Output

Analog 24-bit 192 kHz on bal/unbal TRS 6 10

Mic preamps 24-bit 192 kHz on XLR/TRS

combo

SPDIF 24-bit 96kHz digital 2 2

Headphone output - 2

Total 10 14

1 2 ... 5 6 7 8 9 10 11 12 13 14 15 ... 117 118

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