MOTU UltraLite-mk3 Hybrid Betriebsanweisung PDF herunterladen (Seite 12)

ABOUT THE ULTRALITE-MK3 HYBRID

Headphone output and main volume control

The UltraLite-mk3 front panel provides a quarter-

inch stereo headphone output jack and volume

knob. The LCD display provides feedback as you

turn the knob. The VOL knob can be used to

control the volume of the main out jacks on the rear

panel. It can alternately be conﬁgured to control

any combination of outputs.

Programmable backlit LCD display

Any UltraLite-mk3 setting, including the powerful

CueMix FX on-board 16-bus mixer with effects,

can be accessed directly from the front panel using

the four rotary encoders and the 2x16 backlit LCD

display.

The LCD also provides activity metering for all

UltraLite-mk3 inputs and outputs.

16-BIT AND 24-BIT RECORDING

The UltraLite-mk3 system handles all data with a

24-bit signal path, regardless of the I/O format. You

can record and play back 16-bit or 24-bit audio ﬁles

at any supported sample rate via any of the

UltraLite-mk3’s analog or digital inputs and

outputs. 24-bit audio ﬁles can be recorded with any

compatible host application that supports 24-bit

recording.

CUEMIX FX 32-BIT FLOATING POINT

MIXING AND EFFECTS

All UltraLite-mk3 inputs and outputs can be

routed to the on-board CueMix FX 16-bus (8

stereo) digital mixer driven by hardware-based

DSP with 32-bit ﬂoating point precision. The

mixer allows you to apply no-latency effects

processing to inputs, outputs or busses directly in

the UltraLite-mk3 hardware, independent of the

computer. Effects can even be applied when the

UltraLite-mk3 is operating stand-alone (without a

computer) as a complete portable mixer. Input

signals to the computer can be recorded wet, dry,

or dry with a wet monitor mix (for musicians

during recording, for example).

Effects include reverb, parametric EQ and

compression/limiting. The UltraLite-mk3’s Classic

Reverb™ provides ﬁve different room types, three

frequency bands with adjustable crossover points,

shelf ﬁltering and reverb lengths up to 60-seconds.

Two forms of compression are supplied: a standard

compressor with conventional threshold/ratio/

attack/release/gain controls and the Leveler™, an

accurate model of the legendary LA-2A optical

compressor, which provides vintage, musical

automatic gain control.

CueMix FX also provides 7-band parametric EQ

modeled after British analog console EQs,

featuring 4 ﬁlter styles (gain/Q proﬁles) to

effectively cover a wide range of audio material.

Low-pass and high-pass ﬁlters are also supplied

with slopes that range from 6 to 36 dB. The EQ

employs extremely high precision 64-bit ﬂoating

point processing.

The UltraLite-mk3’s ﬂexible effects architecture

allows you to apply EQ and compression on every

input and output (a total of 24 channels), with

enough DSP resources for at least one band of

parametric EQ and compression on every channel

at 48 kHz. However, DSP resources are allocated

dynamically and a DSP meter in the CueMix FX

software (included) allows you to keep tabs on the

UltraLite-mk3’s processing resources. Each input,

output and mix bus provides a send to the Classic

Reverb processor, which then feeds reverb returns

to mix busses and outputs, with a selectable split

point between them to prevent send/return

feedback loops.

AUDIODESK

AudioDesk is a full-featured, 24-bit audio

workstation software package included with the

UltraLite-mk3 system (for Mac only). AudioDesk

provides multi-channel waveform editing,

automated virtual mixing, graphic editing of ramp

automation, real-time effects plug-ins with 32-bit

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