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INSTALLING YOUR MOTU INTERFACE
14
CONNECTING ADATS
(For the MIDI Timepiece AV only)
The MIDI Timepiece AV can serve as an ADAT
sync master device, providing sample-accurate
address and phase lock to one or more ADATs (or
other ADAT sync-compatible devices). ADAT sync
provides sample-accurate synchronizing and
locating between the MTP AV and all devices on
the ADAT sync chain.
Using the ADAT sync cable supplied with your
ADAT, connect the ADAT SYNC OUT of the MIDI
Timepiece AV to the SYNC IN port of the ADAT as
shown below in Figure 2-9. Don’t worry about
setting the ADAT device ID: the MTP AV sets it
automatically.
Figure 2-9: Connecting an Alesis ADAT.
If you have several ADATs, you can chain the rest of
them to the one connected to the MIDI
Timepiece AV as shown below in Figure 2-10.
Figure 2-10: Connecting multiple ADATs.
CONNECTING VIDEO
(For the MIDI Timepiece AV only)
The MIDI Timepiece AV can synchronize to any
incoming video signal, from a standard video tape
recorder (VTR) to distributed house sync
(blackburst). If your video source is a VTR of some
kind, the video signal from the VTR will need to be
distributed to both the MIDI Timepiece AV and
your video monitor. This can be accomplished
with the video thru jack found on some types of
video monitors as shown in Figure 2-11.
Figure 2-11: Connecting video via the video thru of a video monitor.
If your video monitor does not support video thru,
use a video distribution amplifier to distribute the
source video signal to both the Timepiece AV and
the monitor as shown in Figure 2-12.
Figure 2-12: Connecting video via a video distribution amplifier.
SYNC
IN
ADAT
ADAT
sync cable
MIDI Timepiece AV
ADAT
Sync In
ADAT
sync cables
ADAT
SYNC OUT
port
Sync Out
Sync In
Sync Out
Sync In
Sync Out
etc.
SYNC
IN
ADAT
ADAT
sync cable
MIDI Timepiece AV
Video in
Video thru
Video out
Video sync in
Video tape recorder
Video monitor
Shielded BNC cables
MIDI Timepiece AV
Video distribution amp
Video out
Video in
Video out
Video out
Video in
Video tape recorder
Video monitor
Video sync in
MIDI Timepiece AV
!USB Interfaces Manual Book Page 14 Tuesday, October 10, 2000 12:43 PM
- Composite 1
- Warranty on Software 2
- Limited Warranty on Hardware 2
- MOTU USB MIDI Interfaces 3
- Contents 5
- For All Users 7
- All Users 8
- Packing List and 9
- Computer Requirements 9
- FOR ALL MOTU INTERFACE MODELS 11
- FOR MIDI TIMEPIECE AV USERS 11
- CONNECTING THE POWER CORD 11
- CONNECTING A USB COMPUTER 11
- CONNECTING MIDI GEAR 11
- MIDI CONNECTIONS WORKSHEET 13
- CONNECTING ADATS 16
- CONNECTING VIDEO 16
- CONNECTING WORD CLOCK 17
- CONNECTING AN ALESIS LRC 17
- CONNECTING A MACINTOSH 18
- WHAT NEXT? 19
- WHAT GETS INSTALLED? 21
- WHERE TO GO NEXT 21
- SMPTE Sync and MMC with a 23
- Windows Sequencer 23
- SLAVING A SEQUENCER TO SMPTE 24
- FOR FURTHER INFORMATION 25
- For XT & Micro Users 27
- XT& Micro Users 28
- Working with Presets 29
- WORKING WITH PRESETS 30
- Express XT and micro express 30
- WORKING WITH PRESETS 31
- USER PRESETS 32
- Using Micro Express Console 33
- THE TOOLBAR 34
- SMPTE frame rate 35
- WINDOWS MIDI PORTS 36
- MIDI ROUTING WINDOW 37
- USING MICRO EXPRESS CONSOLE 38
- USING MICRO EXPRESS CONSOLE 39
- FILTER WINDOW 41
- CHANNEL MAP WINDOW 42
- SYNC WINDOW 43
- TOOLBAR SYNC DISPLAY 46
- PEDAL WINDOW 48
- MAKING CLICK-TO-MIDI SETTINGS 50
- Using MIDI Express XT Console 53
- USING MIDI EXPRESS XT CONSOLE 58
- SMPTE Synchronization 73
- SMPTE SYNCHRONIZATION 74
- LTC MODE 76
- MTC MODE 77
- MIDI Machine Control 79
- SETTING MMC DEVICE ID’S 80
- SETTING UP OTHER MMC DEVICES 80
- SETTING UP A HARDWARE MMC 80
- CONTROLLER 80
- MIDI MACHINE CONTROL 81
- Part III 83
- For MTP AV Users 83
- MPT AV Users 84
- THE ADVANCED MIDI WINDOW 100
- WORKING WITH SETUPS 101
- Using the Front Panel LCD 103
- JAM SMPTE 104
- WORKING WITH BASE SETUPS 106
- BaseSetup 1 N 107
- BASE-SETUP 1 107
- Basic Studio YE 107
- WRITE OVER 1 107
- MAKING THE GLOBAL HARDWARE 109
- SETTINGS 109
- PERFORMING A MIDI DATA DUMP 110
- USING THE SMPTE CONTROLS 110
- D +00:00:00/00 E 112
- THRESHOLD 10 114
- CLICK DECAY 10 E 114
- MIDI ROUTING 116
- MUTING MIDI DATA 116
- MIDI CHANNEL MAP 116
- OUT CHANEL REMAP 117
- OUT_1CH 7 TO 1 117
- MIDI cannon 118
- Console 118
- Synchronization with the AV 119
- CHOOSING A MASTER SYNC MODE 120
- SYNCHRONIZATION WITH THE AV 121
- LOCKING TO VIDEO 122
- SLAVING ADATS 124
- SLAVING A MOTU 2408 SYSTEM 124
- Component 125
- Setting for the 125
- ADAT sync scenario 125
- I Timepiece AV a certain 127
- SYNCHRONIZATION WITH THE AV 128
- ” (starting frame) — the 131
- OVERVIEW 133
- HOW MMC WORKS 133
- MMC device ID # 134
- MTP-AV 20 E 134
- adat 1 E 134
- MMC REMOTE CONTROL OF RECORD 136
- FUNCTIONS 136
- MMC ROUTING EXAMPLE 136
- A-_ 0 B-_ 0 E 137
- PEDAL TYPE 138
- PEDAL B>LRC E 138
- Appendices 141
- Glossary 143
- APPENDIX A: GLOSSARY 144
- APPENDIX A: GLOSSARY 145
- SMPTE Synchronization Basics 147
- WHAT IS LTC? 148
- WHAT IS VITC? 148
- THE BENEFITS OF VITC OVER LTC 148
- SHOULD I USE LTC OR VITC? 148
- FRAME RATES 148
- WHAT IS DROP FRAME? 149
- WHY DOES DROP FRAME EXIST? 149
- SHOULD I USE DROP FRAME? 149
- Troubleshooting and Customer 151
- TROUBLESHOOTING 152
- CUSTOMER SUPPORT 152
- REPLACING DISKS 152
- TECHNICAL SUPPORT 152
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